The Modern Art of Jazz by Randy Weston Dawn Dlp 1116
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The Birka Jazz Archive AMERICAN LABELS COLUMBIA RECORDS CLEF, NORGRAN, VERVE (1) CLEF, NORGRAN, VERVE (two) Blue NOTE 10" LPs Blueish Note 1500 series Blueish Annotation 4000 series PRESTIGE RECORDS RIVERSIDE RECORDS PACIFIC JAZZ CONTEMPORARY SAVOY RECORDS DIAL RECORDS ATLANTIC RECORDS EMARCY RECORDS BETHLEHEM RECORDS DEBUT RECORDS Aboveboard RECORDS ESP-DISK IMPULSE RECORDS RCA VICTOR VARIOUS US labels (ane) Various US labels (2) Various US labels (3) EUROPEAN LABELS SWEDEN (1) SWEDEN (two) SWEDEN (3) SWEDEN (4) DENMARK NORWAY Republic of finland French republic ENGLAND Germany Italian republic The netherlands POLAND OTHER COUNTRIES Diverse US labels ABC-PARAMOUNT was formed in 1955 by the media giant American Dissemination-Paramount Theaters. The output of the characterization was pop, jazz and r&b. The showtime hit on the pop-market place came with Paul Anka´s single Diana in 1957. Another success for the label was Ray Charles who left Atlantic for ABC-Paramount in 1959. His start hit for the label was Georgia On My Mind. Already the second ABC album in 1955 was a jazz record - the Urbie Green LP, displayed amongst the pictures to the right. Information technology was produced by Creed Taylor who came to ABC from the Bethlehem label. He produced almost all of the near 40-50 jazz albums that ABC-Paramount issued during the second half of 1950s. Then Creed Taylor was the man backside the Impulse label, the edgy, experimental jazz subsidiary label that ABC-Paramount started in 1960. Meet the special Impulse page. ALADDIN RECORDS was foun- AMERICAN MUSIC was esta- Russell was in the 1930s an advanced classical composer, inspiring John Muzzle amidst others. But he stopped composing after he had heard the jazz music of New Orleans, which he found more interesting than what he could write. The American Music catalogue contained mostly New Orleans jazz by musicians such equally Bunk Johnson and George Lewis. After the 78-era problems continued on LPs until 1957. Thereafter reissues was undertaken by the Danish Storyville characterization. ARGO was established in 1956 in Chicago past the brothers Phil and Leonard Chess as subsidiary of their characterization Chess. The parent visitor was focused on blues, and Argo was intended for jazz. About 150 LPs were issued into 1965. Argo then changed its proper name to Cadet after objections past the classic and longer-established record company Argo in England. Another c. 100 jazz LPs were issued in the second half of the 1960s. In 1969 the Chess brothers sold the label and the entire catalogue to General Recorded Record (GRT), which soon moved the company to New York. In october the same yr Leonard Chess died. Records from both Chess and Cadet were still released in the 1970s, only under the new owner, Chess vanished as an important force in the recording industry. BRUNSWICK was in the 1920s and 1930s ane of the large American record companies. Their catalogue included artists such as Duke Ellington and Billie Holiday. In 1942 the Brunswick trademark was sold to American Decca and the label was in the 1940s used for reissues of early on jazz. Companies using the Brunswick proper noun also operated in several European countries. Some few new jazz recordings for the label were issued by Decca in the 1950s and 1960s, along with recordings of popular music. Brunswick's significant every bit a jazz label ended in 1967 when MCA, which by that appointment owned American Decca, adopted a polycy of using its ain name for bug outside the USA. CAPITOL RECORDS was founded in Los Angeles by singer and songwriter Johnny Mercer in 1942, with the fiscal assistance of the big Los Angeles tape shop Music City, among others. Capitol´s offset release was a Paul Whiteman tape, and the second was "Moo-cow Cow Boogie" with Ella Mae Morse. The latter went quickly to number i on the hit parade. Jazz formed a big part of the catalogue from the offset, and Capitol became an important jazz characterization with artists like Nat Rex Cole, Stan Kenton, Benny Goodman, Duke Ellington amongst others. The company besides sponsered the sessions by Miles Davis of 1949 that were afterward issued as The Birth of the Absurd. Capitol was the first Due west Coast label, competing with RCA Victor, Columbia and Decca, all based in New York. In the mid 1940s Capitol also had a studio in New York and was at that time established as one of the Large Six tape labels. In 1955 Capitol was purchased past the English company EMI. Soon afterward, EMI congenital a new studio in Hollywood - the famous circular edifice Capitol Tower. The British management released other EMI recordings in the USA on the Capitol label, for instance The Beatles recordings on Parlophone. Simply the American direction continued to operate the company autonomously, and to orginize new recordings. Cannonball Adderley was ane of the company's most important musicians during the 1960s and early on 1970s. Thereafter new jazz recordings decreased in number. COMMODORE was founded in 1938 by Milt Gabler, owner of the Commodore Music Shop in New York. Among others Lester Young and Billie Holiday recorded for the characterization in the early 1940s. In the 1950s the label was used past Decca for reissuing earlier jazz recordings on LP. CORAL RECORDS was formed in 1949 every bit a subsidiary label of Decca Records. A&R managing director was Bob Thiele, in the 1960s known for running the Impulse Records. Various jazz artists were issued on Coral, otherwise the characterization is remembered for its recordings of the legendary rock&gyre singer Buddy Holly. DAWN RECORDS was started in 1954 as a sub label to Seeco Records (latin music). Dawn´south output was primarily jazz, but recorded also pop and folk music. Around 20 jazz LPs were issued until 1958. DECCA was established in England in 1929. Five years later an American branch of Decca was founded, which chop-chop developed a substantial jazz catalogue. The United states Decca soon became wholly independent and the link with the British company was broken for several decades. Already in 1932 the Brunswick characterization was bought past Decca. Information technology connected to work as a subsidiary label for both US and British Decca. Another subsidiary label used by the American Decca, was Coral. In the 1950s, Decca used a blackness label with argent printing. 1960 it was inverse to a blackness label with a rainbow stripe. Recordings past the American Decca were in the 1950s issued in England by the London label (subsidary of British Decca). Older recordings from American Decca, Brunswick and Vocalion were in the 1960s issued on the British Decca'south subsidiary Ace of Hearts. DEE GEE was formed in 1951 by Dizzy Gillsespie and a friend, Dave Usher. The label was non long-lived, but issued some few ten" LPs and effectually 10 EPs. The label was taken over by Savoy Records in 1953. DISCOVERY was established in New York in the late 1940s by Albert Marx. The label was headquarted in Hollywood in the early on 1950s and issued recordings by Art Pepper, Charles Mingus and Dizzy Gillespie among others. Several of the company´s early on masters were sold to Savoy, and the company´s activity declained in the 1950s. Only Albert Marx returned with Discovery in the 1980s and started a reissue plan. Later he sold the company once again. In the 1990s Discovery was refashioned into a fully gimmicky characterization in the Warner Music Group. DOOTONE was started in 1951 in Los Angeles by Walter "Dootsie" Williams. The company was recorded all kind of pop music including one-act and jazz. The label name was inverse to DOOTO in 1957 and information technology survived into the 1970s. DOT RECORDS was founded in Gallatin, Tennessee, in 1950 by Randy Woods. Information technology shortly moved to Hollowood simply continued to tape local artists from beyond the USA and issued them nationally. The recordings were mostly country, r&b and pop, simply also some jazz. The characterization was sold to Paramount in 1957.
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Birka Jazz record store is closed but Birka Jazz Archive is still available. Scroll down and utilize the links to browse this comprehensive archive of rare jazz anthology covers 
The pioneers of album encompass design
David Stone Martin
The photographic covers
Searching for a modern jazz identity
Defining the hard bop mode
Masterpieces of Reid Miles
Images of East Declension jazz
Street cred with Thelonious Monk
Moods of Chet and Claxton
Cool Westward Coast, groovy Sound
Masterworks by Charlie Parker
Modest characterization, big Bird sound
Bold and striking albums
The classic drummer logo label
The cute design of Burt Goldblatt
Artist-operated jazz characterization with Mingus & Roach
Legendary, early 1960s LPs
Free jazz and silk screened covers
Edgy and experimental
The loftier spirit of Jim Flora
ABC-Paramount, Aladdin, Argo, Capitol, Coral, Dawn, Decca,
and more
Epic, Fantasy, HiFi, Imperial, Jazzland, Jazz West, Jubilee, Mercury, Mode, and more
Roost, Point, Storyville, Tampa, Transition, United Artists, Vee Jay, and more than
The EP era and Metronome Records in 1950s
The LPs in the 1950s, and Swedish jazz abroad
Changing times in the 1960s
New energy to Swedish jazz in the 1970s
Montmartre, Debut Records and the heydays in Danish jazz
Krog and Garbarek, greats in Norwegian jazz
Plenty of merged styles in Finnish jazz
Americans in Paris, force in French jazz
Esquire and Tempo, classic labels in British jazz
Jazz labels with strong identity
Rare Italian jazz covers
From Diamonds to ICP in
Dutch jazz
Unique serial of Smooth jazz on Muza
Jazz labels around the globe
ded in Hollywood in 1946. They recorded mostly R&B, simply also some jazz. In 1954 the subsidiary label Jazz Due west was started. Aladdin hung on into 1961. Then the characterization was sold to Royal Records.
blished in the early on 1940s by Bill Russell and operated from his home in New Orleans.
Bill Russell
Commodore Music Store
Continued next page Various Usa labels (two)
Kenny Dorham & The Jazz Prophets Label: ABC-Paramount 122 12" LP 1956
Design: Bob Crozier Photo: Alan Fontaine
Various United states of america labels ( 1 )
ABC-Paramount
Urbie Green: Blues and other shades of Green Label: ABC-Paramount 101
12" LP 1955 Blueprint: Burt Goldblatt
Lucky Thompson featuring Oscar Pettiford Label: ABC-Paramount 111 12" LP 1956
Design: Bob Crozier Photo: Doug Quackenbush
Baton Taylor: Evergreens Characterization: ABC-Paramount 112 12" LP 1956
Design: Bob Crozier Photo: Alan Fontaine
Bobby Scott and Two Horns Label: ABC-Paramount 148 12" LP 1956
Blueprint: Bob Crozier Photo: Alan Fontaine
This Is How I Feel About Jazz Label: ABC-Paramount 149 12" LP 1956
Blueprint: Bob Crozier Photo: Alan Fontaine
Zoot Sims plays Alto, Tenor and Baritone Label: ABC-Paramount 155 12" LP 1956
Design: Bob Crozier Photograph: Alan Fontaine
Lucky Thompson feat.Oscar Pettiford Label: ABC-Paramount 171 12" LP 1956
Photo: Lee Friedlander
Candido: The Volcanic Label: ABC-Paramount 180 12" LP 1956
Design: Bob Crozier Photo: Alan Fontaine
Sing a Song of Basie Label: ABC-Paramount 223 12" LP 1957
Photograph: Milton Greene
Georgie Auld plays for Melancholy Babies Label: ABC-Paramount 287 12" LP 1957
Design: ARW Product Photo: Alan Fontaine
Advert Lib Records
The New Tradition: presenting Jackie McLean Label: Advertisement Lib 6601 12" LP 1955
Design: Parboo Singh
AK-BA Records
Arthur Doyle Plus four: Alabama Feeling Label: AK-BA Records AK-1030 12" LP 1978
Design: Martha Hurd
Aladdin Records
Lester Immature - Illinois Jacquet: Battle of the Saxes Characterization: Aladdin 701 10" LP 1953
Amos Milburn, Wynonie Harris a.o.: Party Afterward Hours Characterization: Aladdin 703 10" LP 1953
Aladdin 10" LPs from 1953: Lester Young and his Tenor Sax (Aladdin 706), and
Lester Young Trio with Nat King Cole (Aladdin 705)
Another two Aladdin 10": Amos Milburn Rockin the Boogie (Aladdin 704), and
Illinois Jacquet and his Tenor Sax (Aladdin 708). From 1953-1954
Maxwell Davis and his Tenor Sax Label: Aladdin 709 10" LP 1954
Lloyd Glenn: Chica-Boo Characterization: Aladdin 808 12" LP 1956
American Music
Bunk Johnson: Blues and Spirituals Characterization: American Music 638 x" LP c.1951
George Lewis Characterization: American Music 639 10" LP c.1951
Wooden Joe: A Nite at Artesian Hall Characterization: American Music 640 10" LP c.1951
Kid Thomas Label: American Music 642 10" LP c.1951
This Is Bunk Johnson Talking Label: American Music 643 10" LP c.1951
Bunk Johnson 1945-46 Characterization: American Music 644 10" LP c.1951
George Lewis with Kid Shots Characterization: American Music 645 ten" LP c.1951
Large Eye Louis Nelson Delisle Label: American Music 646 10" LP c.1951
Bunk Johnson: New Orleans 1944 Characterization: American Music 647 10" LP c.1951
Apollo
Sir Charles Thompson and his All-Stars Label: Apollo LAP - 103 10" LP early 1950s
Argo, Cadet & Chess
Zoot Sims Label: Argo 608 12" LP 1956 Photograph: Charles Stewart
Clark Terry: Out on a Limb Characterization: Argo 620 12" LP 1957
Photo: Lacey Crawford
Johnny Griffin Label: Argo 624 12" LP 1958 Design: Due west. Hopkins
Paul Gonsalves: Cookin´ Label: Argo 626 12" LP 1958
Design and Photo: LeRoy Winbuch
Sonny Stitt Characterization: Argo 629 12" LP 1958
The Colorful Strings of Jimmy Woode Label: Argo 630 12" LP 1958
Vito Cost: Swingin´ the Loop Label: Argo 631 12" LP 1958 Pattern: Don Bronstein
Ralph Sharon: 2:38 a.m. Label: Argo 635 12" LP 1958 Blueprint: Don Bronstein
Cy Touff: Touff Assignment Label: Argo 641 12" LP 1959
Barry Harris: Breakin´ it upward Label: Argo 644 12" LP 1959
Kenny Burrell: A Night At The Vanguard´ it upwardly Characterization: Argo 655 12" LP 1959
Art Farmer - Benny Golson: Encounter The Jazztet Label: Argo 664 12" LP 1961
Photo: Charles Stewart
Introducing Roland Kirk Characterization: Argo 669 12" LP 1960
Listen to the Ahmad Jamal Quintet Label: Argo 669 12" LP 1960
Design: Don Bronstein
Art Farmer: Art Label: Argo 678 12" LP 1961
Painting: Ernest Fiene
Dodo Marmarosa: Dodo´due south Dorsum! Characterization: Argo 4012 12" LP 1961
Design: Don Bronstein
The Jazztet at Birdhouse Label: Argo 688 12" LP 1961 Design: Don Bronstein
Cistron Ammons: Merely Jug Label: Argo 698 12" LP 1962
Gene Shaw: Quantum Characterization: Argo 707 12" LP 1962 Design: Don Bronstein
Sahib Shihab: Summer Dawn Label: Argo 742 12" LP 1964
Illinois Jacques: Bosses of the Ballad Label: Argo 746 12" LP 1964
Dorothy Ashby: Afro-Harping Label: Cadet 809 12" LP 1968
Harold Country: The Peace-Maker Label: Cadet 813 12" LP 1968
Ii albums past Terry Callier from 1972 and 1973: Occasional Rain (Buck 5007),
and What color is Dear (Cadet 50019)
Muddy Waters at Newport 1960 Label: Chess 1449 12" LP 1962
Howlin´ Wolf: The Existent Folk Blues Label: Chess 1512 12" LP 1966
Asha Records
The Lloyd McNeill Quartet: Asha Label: Asha No.1 12" LP 1969
Atco Records
Herb Geller: Gypsy Label: Atco 33-109 12" LP 1959
Avar Records
Joanne Grauer Characterization: Avar Records JG-4839 12" LP late 1970s
Design and Photo: Bill Matthias
Brunswick Records
Count Basie Characterization: Brunswick 54012 12" LP 1954
Photo: Hugh Bell
Tony Scott Quartet Characterization: Brunswick 54056 10" LP 1954
Design: Fran Scott Photograph: Mike Miller
Tony Scott: Jazz for G.I.'s Label: Brunswick 58057 10" LP 1954
Design: Fran Scott
Capitol Records
Rendezvous with Pegy Lee Label: Capitol 78 album 1947
Various Artists: Cool & Quiet Label: Capitol H371 12" LP 1953
Stan Kenton: Sketches on Standards Label: Capitol H426 12" LP 1953
Gerry Mulligan and his Ten-tette Label: Capitol H439 ten" LP 1953
Illustration: Kirland
Miles Davis: Classics in Jazz Label: Capitol H459 10" LP 1954
Stan Hasselgard: Classics in Jazz Label: Capitol EAP1-466 7" EP 1954
Bob Cooper Label: Capitol H6501 x" LP 1954
Frank Rosolino featuring Charlie Mariano Label: Capitol H6507 10" LP 1954
June Christy: Something Cool Label: Capitol H516 10" LP 1954
Frank Sinatra: Songs for Young Lovers Label: Capitol H488 10" LP 1954
Photo: Ken Veeder
Ella Mae Morse Characterization: Capitol H513 10" LP 1954
Frank Sinatra: Swing Easy! Label: Capitol H528 ten" LP 1954
Jimmy Giuffre Label: Capitol H549 10" LP 1954
Frank Sinatra: In the Small Hours Label: Capitol H1-581 10" LP 1955
Serge Chaloff: Boston Accident-Upwardly! Label: Capitol T6510 12" LP 1955
Benny Goodman: B.Thou. in How-do-you-do-Fi Label: Capitol W565 12" LP 1955
Duke Ellington: Dance to the Duke! Characterization: Capitol T637 12" LP 1955
Serge Chaloff: Blue Serge Label: Capitol T742 12" LP 1956
Miles Davis: Birth of the Absurd Label: Capitol T762 12" LP 1956
Photo: Aram Avakian
Nat King Cole Sings Ballads of the Day Label: Capitol T680 12" LP 1956
Ella Mae Morse: The Morse Code Characterization: Capitol T898 12" LP 1957
Frank Sinatra: Come Fly With Me Label: Capitol W920 12" LP 1958
Frank Sinatra Sings for But the Lonely Characterization: Capitol W1053 12" LP 1958
Frank Sinatra: No 1 Cares Label: Capitol W1221 12" LP 1959
Nancy Wilson / Cannonball Adderley Quintet Characterization: Capitol 1657 12" LP 1962
Cannonball Adderley Live! Characterization: Capitol 2399 12" LP 1965
Cannonball Adderley: ;ercy, Mercy, Mercy! Label: Capitol 2667 12" LP 1967
Cannonball Adderley: The Black Messiah Label: Capitol SWBO-846 12" LP 1972
Cannonball Adderley: Soul of the Bible Label: Capitol 11120 12" LP 1973
Design: Roy Kohara
Crystalette Records
Charlie Ventura: Stomping with the Sax Label: Crystalette CR-5000 10" LP early 1950s
CJR Records
Joe McPhee: Hugger-mugger Railroad Label: CJR Records CJR-ane 12" LP 1969
Cover drawing: William Roberts
Joe McPhee: Nation Fourth dimension Label: CJR Records CJR-two 12" LP 1971
Photograph: Ken Brunton
Colpix Records
Chet Baker: The Most Important Jazz Album Label: Colpix CP 476 12" LP 1964
Coltrane Records
John and Alice Coltrane: Cosmic Music Label: Coltrane Records AU 4950 12" LP 1968
Commodore Records
Billie Holiday Label: Commodore 2005 10" LP 1950
Blueprint: John De Vries
Lester Immature and the Kansas City Five Label: Commodore 30014 12" LP 1959
Design and photo: Burt Goldblatt
Coral Records
Anita O´Day: Singin´ and Swingin´ Label: Coral 56073 10" LP 1953
Mel Tormé Characterization: Coral 57044 12" LP 1956
Design: Piedra Blanca (aka Alex Steinweiss)
The Al Cohn Quintet Label: Coral 57118 12" LP 1957
Design: Burt Goldblatt
Joe Newman: The Happy Cats´ Label: Coral 57121 12" LP 1957
Hal McKusick Quintet Label: Coral 57131 12" LP 1957
Photograph: Burt Goldblatt
Bob Crosby´s Bob Cats in Hi-Fi Label: Coral 57170 12" LP 1958
Zoot Sims - Al Cohn: Al and Zoot Label: Coral 57171 12" LP 1958
Tony Scott: 52nd St. Scene Label: Coral 57239 12" LP 1958
Dawn Records
The Modern Art of Jazz by Zoot Sims Label: Dawn 1102 12" LP 1956
Julius Watkins: Les Jazz Modes Label: Dawn 1108 12" LP 1956
Design: Burt Goldblatt
Jazzville vol. two Characterization: Dawn 1107 12" LP 1956
Design and photo: Burt Goldblatt
Al Cohn on the Saxophone Label: Dawn 1110 12" LP 1956
Zoot Sims Goes to Jazzville Label: Dawn 1115 12" LP 1957
The Modern Fine art of Jazz by Randy Weston Label: Dawn 1116 12" LP 1957
Decca Records
Billie Holiday Label: Decca 78 album 1940s
Billie Holiday: Lover Man Label: Decca 5345 10" LP 1951
Mildred Bailey: The Rocking Chair Lady Characterization: Decca 5387 10" LP 1951
Jeri Southern: Warm, Intimate Songs Label: Decca 5531 ten" 1954
Bing Crosby: Bing Label: Decca DX 131 12" LP 1954
Design: Alex Steinweiss
Charlie Barnet: Hop on the Skyliner Label: Decca DL 8098 12" LP 1954
Ella Fitzgerald: Lullabies of Birdland Characterization: Decca DL 8149 12" LP 1955
Billie Holiday: The Lady Sings Label: Decca 8215 12" LP 1956
Carmen McRae: Torchy! Label: Decca (USA) / Brunswick LAT 8133 (UK edition)
Issue: 12" LP 1956 Photo: Burt Goldblatt
Artie Shaw: Did Someone Say a Party? Label: Decca 8309 12" LP 1956
Beverly Kenney Sings for Playboys Label: Decca DL 8743 12" LP 1958
Beverly Kenney; Born To Be Blue Label: Decca DL 8850 12" LP 1959
Hal McKusick: Cantankerous Section - Saxes Label: Decca DL 9209 12" LP 1960
George Russell: New York, N.Y. Label: Decca DL 9216 12" LP 1960
George Russell: Jazz in the Space Historic period Characterization: Decca DL 9219 12" LP 1960
Dee Gee Records
Milt Jackson Characterization: DeeGee 1002 10" LP 1952
Pattern: Burt Goldblatt
Shelly Manne: Here'south That Manne Label: DeeGee 1003 ten" LP 1952
Design: Burt Goldblatt
Shelly Manne Characterization: Dee Gee 1003 10" LP Alternating comprehend to the album higher up
Dizzy Gillespie Label: DeeGee EP 4001 7" EP 1953
Design: Burt Goldblatt
Discovery Records
Ruddy Norvo Trio with Charles Mingus Characterization: Discovery 3012 x" LP 1950
Art Pepper Label: Discovery 3019 10" LP 1952
Art Pepper Quintet Label: Discovery 3023 10" LP 1954
Dogtown Records
The J.R. Mitchell - Bayard Lancaster Experience: Alive at Mac Alester College
Characterization: Dogtown Records (no catalogue number) 12" LP 1972
Pattern: Geno Barnhart
Dootone Records
Dexter Blows Hot and Cool Label: Dootone 207 12" LP 1955
Photo: Howard Morehead
Introducing Carl Perkins Label: Dootone DL 211 12" LP 1956
Curtis Counce: Exploring The Future Characterization: Dooto 247 12" LP 1958
Dot Records
Lorraine Geller at the Pianoforte Characterization: Dot DLP-3174 12" LP 1959
Source: https://birkajazz.se/archive/variousUS_1.htm
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